[Note: This is a User article.]
Although a surprising move in the K-pop community, Ahhyun’s return to Baby Monster has raised serious questions about the industry’s fairness and consistency. Her re-entry into the group is more than just a change in membership. This is an important event that provides a deeper look at the precedents set by K-Pop agencies when dealing with controversies involving their artists.
Ahhyun’s departure from Baby Monster was initially said to be due to “health reasons,” but those involved knew that it was due to a controversy over him using a racial slur during a performance. Yes, like other idols in similar situations, she apologized. However, a contradiction arises here.She liked idols in past incidents Garam and Sujin They left the group amid controversy for “health reasons” and were later found not guilty. However, they never returned to their respective groups.
This disparity in treatment becomes even more apparent when we look internally. YG Entertainment itself.take BI from icon, for example. He left the group citing “health reasons”, which was widely understood to be related to his controversy over drug use. Even though BI is a core member of IKON, YG Entertainment never considered his return, even though the group struggled to maintain its essence and popularity after his departure.
Another thing to ponder is Ahhyun’s contribution to Babymonster. Critics claim that she was recalled even though she played a minimal role in the group’s activities. This raises questions about the criteria used for such decisions. for example, Yurinaexclusion from keep pulldespite the popular demand after she was eliminated. Girls Planet 999in contrast to Ahhyun’s situation.
All of this leads to a broader discussion about YG Entertainment’s approach to group management.The company is IKON and black pink. Now that BABYMONSTER’s debut is coming to an end amid comparisons with BLACKPINK, the decision to bring back Ahyun may be seen as an effort to project a more generous and tolerant image. But is this move consistent with the principles of fairness and consistency? That’s the question on everyone’s mind.
Ahhyun’s situation not only reflects the personal dynamics within Baby Monster, but also highlights a larger debate about fairness and equity in the K-pop industry. This is a complex issue, with many differing opinions on what should be a fair and appropriate response for an entertainment agency when an artist faces a controversy.